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Category: Influences

Goodbye 2024

Posted on December 31, 2024 by Children Of Wolves

The end of another year, and another year where I haven’t done as much as I’d hoped to. But, life gets in the way, and that isn’t always a bad thing.

I’d hoped to write one short story per month in 2024 but realised that writing is hard, even when you have loads of ideas already (I have about 20 short stories “sketched out” ready to be written, as well as the notes and early chapters of what I hope will be a full book) but early in the year I lost my mum, which killed all creativity for a long time.

But, let’s look back at the positive:

Achievements:
I managed to write and release three short stories:
The Knight Of Ivy
The Badger Knight
The Miller’s Son
All three can be downloaded and read for free from this very site.

Stuff wot I’ve liked:
I won’t bore you with overly verbose opinionated “reviews”, but here’s some stuff I’ve loved this year:
TV: House Of The Dragon, The Penguin (Colin Farrell deserves every award possible for this), Only Murders In the Building (only got around to watching it this year, which meant binging the lot), and as I write I’m really loving Star Wars: Skeleton Crew and Squid Game 2, both of which I’ve yet to finish.
Film: Deadpool & Wolverine, Woman Of the Hour (so tense, and such a good directorial debut from Anna Kendrick), and I must have watched some other films but my mind has gone blank right now.
Comics and books: Usagi Yojimbo (every volume is pure gold), Berserk (it’s pretty heavy going, so I need a break between each volume, hence why I’m only on volume 5 of the hardbacks), The Art Of GI Joe (a huuuge art book – with a postage cost from the USA to match – full of photos and details on the 80s and 90s GI Joe toy packaging, most at life size), The Gallows Pole (loved the TV series, and I think I loved the book, but even after reading it months ago I’m still figuring that one out!) and Abroad In Japan by Chris Broad, the guy behind my favourite YouTube channel and podcast.
Music: Very obvious, but Absolute Elsewhere by Blood Incantation and Liminal Animals by Ulver have been top plays for me along with Solace by Shingo Nakamura and D’Muata by Perchta.

Looking to the future:
My aims for 2025 are:

  • Write at least another 2 short stories and then publish them, and the previous 3, for free still, on Kindle. I’m not a big fan of Amazon but feel like this is a good way to get them out there for people to read easily
  • Get a full first draught of my full length book finished, and then start going over it, hating it and picking it apart
  • Write at least 6 short stories in total (12 still seams impossible) and put them out there, for free
  • Try to stress out a lot less

And with that, have a happy new year!

Perchta

Posted on June 5, 2024June 4, 2024 by Children Of Wolves

A lot of music inspires me when I’m attempting to write, obviously a lot of that is black metal, but also some ambient stuff, 80s pop and Japanese house music, amongst others.

Recently I came across the Austrian folk/black-metal band Perchta and instantly fell in love with them after hearing the song “Hebamm”.

I’m a sucker for anything that mixes quiet/folk/ambient bits with the fury of black metal, such as Alcest, Wolves In The Throne Room and Myrkur, and Perchta are already right up there with the best for me.

The band have released one full length album so far, with another being released this month, from which the following song comes:

Berserk

Posted on February 12, 2024 by Children Of Wolves

Although I’ve been a fan of anime and manga most of my life now (ever since seeing an advert for Akira on VHS in the early 90s, a whole story in itself), Berserk was something I came a bit late to.

It’s one of those titles that constantly tops “must read/see” lists, and is something I’ve always picked up in shops to look at, but as it’s always been wrapped in cellophane due to it’s graphic content I’ve always put it back down and forgot to look it up online.

Then last year, the 1997 anime was re-released on Blu-ray here in the UK so I thought I’d finally dive into it’s world. I like a lot of modern anime, but I’ve got a big soft spot for 80’s and early 90’s stuff, and even though this was released in 1997 it has that look and feel of something much earlier (which in this case is a good thing!).

The anime ends on kind of a cliff-hanger (hard to explain without directly spoiling it), but is also one of those endings that feels satisfying to me (again, hard to explain but I won’t spoil it just yet). But I wanted to know what happens next and so looked into the films (2012-2013) and the next series from 2016, which partially re-tell the original series as well as carrying on the story further. However most online accounts agree to skip these and just go straight to the manga, which is what I did (though my curiosity means I may still end up watching the 2012 and 2016 animated versions).

As a sucker for nice, deluxe editions of things, especially books, I decided to dive straight in with the Vol 1 Deluxe Edition which collects the first 3 “tankōbon”, each of which originally collected multiple chapters of the serialised manga, in one, big, heavy hardback edition. As of writing I’m just about to start Deluxe Edition Vol 4, so no spoilers please!

Now is where I’m going to get into a few minor spoilers about the differences between the 1997 anime and the early books of the manga, and how it helped inspire certain aspects of my own work. This is your final warning…

I watched the anime after I’d already started creating my “alternate-history” England, but it influenced me to make some aspects a bit more “fantasy”-like, such as larger than life characters, castles that probably couldn’t really exist and so forth. I’m staying away from standard “fantasy” with my stories, there’s no dragons, elves or the like, focusing more on folk-horror, but I like the idea of a fantasy style world with real-world rules.

One thing that struck me about the anime (and this is more noticeable if you watch the anime first and then read the manga), is how when the anime starts there is very little in the way of magic, monsters or other fantasy tropes. At the start, Guts (the main character) fights a monstrous character, then it goes into a series long flashback that could almost be set in the real world. Knights, castles, mercenaries, big battles, kings, princesses and so on. The anime even keeps the true villain’s identity pretty well hidden until the end (I won’t spoil that, it’s a great reveal), whereas the manga starts with a lot of high-fantasy, magic, monsters and even makes it obvious who the villain is before venturing into flashback territory.

Because of the sex, nudity and graphic violence, as well as general mature storytelling, it often get’s compared to Game Of Thrones, which is no bad thing, and I’m also reminded of how the first season of Game Of Thrones was very light on fantasy (spoilers for the 3 people who’ve never watched it) with really only the opening scene of the first episode (ice zombies!) and the closing scene of the last episode (a naked woman surviving standing in a fire with her 3 baby dragons!) dipping into standard fantasy, the rest of the series basically being a re-telling of the War of the Roses.

And to bring it full circle, it was that first season of Game Of Thrones (and also a big part of the first season of House of The Dragon) that inspired me to want to write a story about knights and castles without the fantasy but also not being bogged down by historical accuracy.

In The Miso Soup

Posted on January 24, 2024 by Children Of Wolves

Anyone who knows this book may find it a strange choice for an “influence” for the kind of work I’m aiming for. But bear with me…

Ryu Murakami is probably best known in the west for being the writer of Audition, which was adapted into a film by Takashi Miike, released at a time when Japanese films (particularly those released by Tartan Video in the UK) were becoming hugely popular. Alongside films like Ring and Battle Royale, which I’d argue still hold up really well today (The less said about Battle Royale 2 the better).

I’ve read plenty of manga and non-fiction books from Japan over the years, but Japanese novels were something I’d never dipped into. I asked for this for Christmas in 2022, and because I’m a good boy Santa delivered!

It’s quite a short, but dense book, set over 3 days in the Shinjuku area of Tokyo (if you’ve played the Yakuza games or watched Tokyo Vice then you’ll know the area well). I won’t spoil much, but the basic plot is a first-person story about a guy who shows foreign tourists around the “entertainment” (wink wink) area of Shinjuku, and is paid for a few nights to show an American tourist around while at the same time mysterious murders are being committed.

A year after reading it I’m still not sure I enjoyed it. I liked it, but I’m not sure it’s the kind of book you “enjoy” but rather “experience”. It goes into a lot of detail about the area and how the characters react to the locations and events. But the main thing that I took from it as an influence was how it’s basically a series of conversations. Not exposition about what is happening, but just conversations that would happen (kind of) naturally.

And that’s something I’m hoping to work into my writing. Having characters just chat and (hopefully) be interesting. Not characters just explaining to each other what is happening, but talking about politics, social issues, things that interest them (and this is medieval England, it’s not going to be people chatting about TikTok or any other pop culture reference that will date things).

Will I succeed at that? Only one way to find out…

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